The modeling paste that I applied to the board before painting created an interesting exercise in using texture without allowing it to take over and loosening up the brushwork. It was a challenge that I enjoyed thoroughly. In private collection. Oil on textured board, 5.75 by 15 inches.
This was a great day painting, it was hot out but I was focused and executed a few paintings in one of my favorite places to paint. This is my favorite from that day. In private collection. Oil on oak panel, 11 by 14 inches.
Lake Cleveland is a glacial lake tucked up against the mountain on three sides. A few raindrops had fallen and the colors in the vegetation and rocks bloomed. In private collection. Oil on board, 10 by 8 inches.
She is a beautiful woman, who throughout the pose, held a sense of stateliness and dignity. Acrylic on illustration board, 30 by 15 inches.
An attempt to capture the energy and motion of the waves crashing on the beach. Oil on board, 8 by 10 inches.
I painted the clouds with thicker paint and brushstrokes to give the clouds a physical sense of being versus the relatively smoother hills. Oil on board, 7.5 by 9 inches.
The energetic brushwork that gives the painting energy yet contains enough information to describe the scene is what I love most about this. It was a fun piece to create. Oil on board, 6.5 by 9 inches.
One thing that I enjoy about doing limited color studies is that I can focus more on using more expressive loose brushwork. This study was completed in Almansor Park, a favorite place to sketch and walk a little. Gouache on paper, 4 by 6 inches.
Part of a series trying to capture the light of a sunset. Here is the moment right before the lights go out and everything becomes an inky blue in the moonlight. Gouache on paper, 4 by 6 inches.
Part of a series trying to capture the changing light of a sunset. Off in the distance the land and sky seemed to melt together and then separate as the shadows grew. Gouache on paper, 4 by 6 inches.